In the 1960s, he helped get wide exposure for Black artists like Dionne Warwick. A decade later, he brought dance music from the clubs to radio success. By Clay Risen Marvin Schlachter, a music ...

Musician David Pressler is the DJ behind Hub City Disco Club, the self-described “party and a record label” that’s hosting ...

Could partying be considered… a social good? Peter Croce, head of Detroit’s Rocksteady Disco record label, makes the case. “I genuinely believe this in my least cynical moments,” he says. “I do think ...

Performances in N.Y.C. Advertisement Supported by Peter Gordon, who studied with Terry Riley, has always made music that is surprising but accessible. Now he’s starting his own record label. By Rob ...

While working as a session musician in the early 1970s, drummer Earl Young created a unique rhythm that would change the course of popular music. Known today as the “four on the floor,” this simple ...

Could partying be considered… a social good? Peter Croce, head of Detroit’s Rocksteady Disco record label, makes the case. “I genuinely believe this in my least cynical moments,” he says. “I do think ...

Record labels have played a pivotal role in the music industry for decades, providing artists with the resources, support and exposure needed to succeed in a highly competitive field. While the music ...