The Herculean task of shooting “Reloaded” and “Revolutions” — the back-to-back sequels to sci-fi phenomenon “The Matrix” — can be grasped by the numbers involved: a 270-day production sked, 150 sets, ...
Back in 2003, anticipation for The Matrix Reloaded was high; a sequel to an instantly iconic, paradigm-shifting sci-fi adventure that had a premise more prescient than anyone could have imagined. What ...
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